Mother of All the Behans Starring Ireland Unofficial Queen Imelda May

The Grand Opera House in Belfast last night was transformed into a vibrant hub of creativity and emotion as Imelda May graced the stage with her captivating one-woman show, Mother of All the Behans.

Directed and adapted by the talented Peter Sheridan, this production vividly brings to life the extraordinary story of Kathleen Behan, the mother of the renowned writer Brendan Behan. It weaves together a rich tapestry of songs and profound narratives, celebrating the spirit of a lively and complex family history. This performance invites us on a heartfelt journey through themes of love, loss, and resilience, elements that are deeply embedded in the fabric of Irish culture.

From the very first moment the curtain rises, there is a palpable excitement that fills the air. The audience eagerly anticipates Imelda's portrayal of Kathleen, and expectations soar high, especially after her previous sell-out seasons in Dublin. However, what unfolds on stage transcends mere performance; it becomes a heartfelt expedition into a woman's life, intricately woven with the socio-political fabric of Dublin over the decades.

Imelda begins her performance with a touching vulnerability, appearing in a simple yet intimate setup that quickly evolves into a vivid landscape of Kathleen's memories and experiences. The audience is effortlessly drawn into her world as she bursts forth with energy, embodying a woman who fully embraced life with passion and determination. This beautiful duality of tenderness and exuberance encapsulates Kathleen’s multifaceted character as she navigates her sometimes tumultuous journey as both a mother and a public figure.

A remarkable feature of the show is the clever use of a strategically placed screen, which allows for seamless costume changes that introduce us to different stages of Kathleen's life without interrupting the narrative flow. Each transformation serves as a visual marker, illustrating the evolution of a woman who faces heartache and grief while fiercely upholding her family legacy. Imelda’s transitions into different personas evoke laughter from the audience, injecting lighter moments that beautifully balance the weight of the story.

What shines through in this production is Kathleen’s unwavering resilience in the face of adversity. A poignant section recounting the Behan family's move from the bustling inner city to the tranquil suburb of Crumlin resonates not only as a personal tale but also as a reflection of broader societal changes. Imelda expertly captures the longing of a family that, despite their new comforts, yearns for the vibrant chaos and connections of their former home. This theme how our surroundings shape us echoes universally and invites deep reflection.

Throughout the performance, Imelda offers a powerful commentary on the working-class experience during times of political upheaval, such as the two World Wars and the Irish Civil War. Her portrayal serves as a heartfelt homage to the silent struggles faced by countless families during challenging periods, with Kathleen embodying strength amidst chaos. The weight of history permeates every moment, making Kathleen's triumphs and tribulations all the more poignant.

One of the most delightful aspects of Mother of All the Behans is the seamless integration of music into the narrative. Imelda's ethereal voice flows through the stories, crafting an atmosphere that elevates the performance beyond traditional theatre. The songs become an essential part of the storytelling, infusing Kathleen’s experiences with an added layer of life and capturing the essence of her spirit.

As the evening unfolds, it becomes abundantly clear that Imelda May does not merely portray Kathleen; she embodies her. The nuances in her vocal delivery convey the humour, heartache, and tenacity that define Kathleen Behan so well. There are moments when laughter erupts across the auditorium, juxtaposed against poignant silences that inspire empathy and reflection. The conversational tone of the writing, in combination with Imelda’s engaging performance, fosters a sense of intimacy that draws the audience into Kathleen's world.

Ultimately, it becomes evident that Kathleen Behan was far more than Brendan’s mother; she was a trailblazer in her own right, navigating life with courage in an era that often marginalised women's voices. Imelda’s portrayal honours this legacy, serving as a beacon for women who refuse to be confined by circumstance. Kathleen's narrative is one of empowerment, resilience, and undeniable spirit, leaving the audience pondering its significance long after the final curtain falls.

Mother of All the Behans is not simply a performance; it is an unforgettable experience that celebrates the indomitable spirit of a woman who profoundly influenced the artistic landscape of her time. For anyone fortunate enough to witness Imelda May’s remarkable performance, it is clear this show will reverberate in their hearts and minds long after it has graced the stage, an unparalleled tribute to the power of motherhood, music, and the triumphant human spirit.

Running at the Grand Opera House Belfast until Saturday 23rd August, for tickets and further information visit www.goh.co.uk