They are certainly ready for their close-ups Mr DeMille!

The Grand Opera House Trust's Summer Youth production of "Sunset Boulevard" truly dazzled audiences on its opening night last night with a stellar cast of young performers and a captivating rendition of Andrew Lloyd Webber's iconic work. The ambitious production, showcasing the talents of seventy-one individuals aged 16 to 21, accompanied by a twenty-piece orchestra, was a testament to the hard work and dedication of all involved in bringing this classic tale to life.

 Both haunting and desperately sad, Sunset Boulevardrevolves around the former star of the silent screen era, Norma Desmond. Ageing and largely forgotten for years, she lives in her dilapidated mansion in Hollywood with her butler and chauffeur, Max. Lost in her memories, she is stirred into action when struggling screenwriter, Joe Gillis, suddenly enters her home and her life. Joe is down on his luck and struggling to escape debt collectors. Norma offers him a room and board if he agrees to edit her incomprehensible script of Salome, a movie she has written in which she wants to star as the teenage seductress. Norma is convinced she is still as beautiful and in demand as ever. This misguided belief is sustained by Max, who writes fake fan letters to her and shields her from the realities of the much-changed, modern-day movie business. Buoyed by Joe’s presence in her house, she lavishes him with gifts and soon declares her love for him. Her obsession with the young writer further reveals her increasing mental instability, and she threatens to commit suicide if Joe ever leaves her. When Norma visits the film set of a new Cecil B. DeMille movie, she becomes convinced that the director wants to produce Salome and begins to imagine her dramatic return to the screen. However, when Norma learns of Joe’s secret work and love affair with the young Betty Schaefer, her fragile mental state completely breaks down and she fatally shoots Joe as he tries to leave the mansion. With no longer a grip on reality, Norma grandly sweeps down the stairs to the waiting police, declaring, “And now, Mr. DeMille, I’m ready for my close-up."

Under the impeccable direction of Tony Finnegan, with music direction by Wilson Shield and breathtaking choreography by Rebeccas Leonard, the production successfully captured the essence of Hollywood glamour, tragedy, and suspense. From the lush musical numbers like "The Perfect Year" to the emotional depth of "With One Look" and the soaring ballad "The Greatest Star of All," the cast delivered a performance that resonated with audiences and brought the story of Norma Desmond to vivid life.

Caroline McMichael's portrayal of Norma Desmond was a tour de force, commanding the stage with a presence that belied her age. Her vocal prowess and nuanced performance captured the essence of a fading star desperate to reclaim her former glory. McMichael's performance was nothing short of extraordinary, hinting at a bright future filled with starring roles and potential accolades.

Conor Cox's interpretation of Joe Gillis was equally impressive, embodying the charm and complexity of the struggling screenwriter caught in Norma's web. Cox's natural talent and stage presence shone through, guiding the audience through the twists and turns of the narrative with skill and grace. His performance, especially considering the limited preparation time, was a testament to his dedication and training at the Guilford School of Acting.

Lucia McLaughlin brought depth and emotion to the role of Betty Schaefer, showcasing a vocal range and acting ability that marked her as a rising star in the world of local theatre. Her chemistry with Cox added a layer of poignancy to the narrative, highlighting the complexities of love and ambition in the glittering world of Hollywood.

Jackson Allen, in the role of Max Von Mayerling, exhibited a haunting presence and skill that underscored his growth as a performer since his previous appearance in last year's production of Oliver as Fagin. Allen's portrayal of the loyal servant added depth and nuance to the story, grounding the emotional core of the production with his superb performance.

Despite the limited preparation time, the cast's dedication and talent were evident throughout the performance, creating a memorable and captivating theatre experience. The seamless integration of direction, music, choreography, and performances brought Andrew Lloyd Webber's Tony Award-winning masterpiece to life on stage, leaving the audience spellbound and emotionally invested in the characters' fates.

In conclusion, the opening night of The Grand Opera House Trust's Summer Youth production of "Sunset Boulevard" was a triumph of talent, dedication, and artistic vision. The future looks bright for these young performers, and I look forward to witnessing their continued growth and success in the world of theatre.

Sunset Boulevard runs at the Grand Opera House Belfast from Thursday 18th July to Saturday 20th July,  Further information and tickets can be found at www.goh.co.uk